20 Jan 2017 at 5-8 pm
Opening of the next stage of the exhibition with artworks by the artists: La Vaughn Belle, Javier Tapia, Trine Mee Sook Gleerup, Nanna Debois Buhl and Julie Edel Hardenberg.
2017 is the centenary of Denmark’s sale of three Virgin Islands to the US. At meter we mark this through the exhibition Unravelings, a five-month exhibition in which we will look at Denmark as a colonial power, and how this affects today’s society and our sense of national identity. The exhibition will slowly take form, develop and expand over the five-month long exhibition period. In this context we would like to invite you to an expansion of the exhibition with artworks by five national and international artists that are preoccupied with and examine past and present colonial structures.
In her artistic practice La Vaughn Belle researches how Danish culture and colonization has had an influence on the people of the Virgin Islands and their sense of identity, the structures of society and memory.
Javier Tapia engages in how race and ethnicity is visualised and how this affects our understanding of otherness.
The artwork Racial Representation by Trine Mee Sook Gleerup is also centred around ethnic stereotyping and consists of a collection of food items that exemplifies this form of imagery.
As a part of her practice Nanna Debois Buhl has researched Denmark’s role as a former colonial power in the Caribbean and the visual traces that have been left behind both on the Virgin Islands and in Denmark.
Julie Edel Hardenberg looks at how Danish culture influences the Greenlandic self-image and questions the idea that the people of Greenland are a uniform community.
Read more about the exhibition Unravelings.