I would prefer not to

Artists: Anu Ramdas, Eva Koch, Trine Mee Sook Gleerup, Jan Bäcklund, Kristoffer Ørum, Marie Koch Kjærgaard, Peter Birkholm, Johanne Skovbo LasgaardAndreas Albrectsen, Marie Thams, Hour Projects, Herman Melville and KLD Repro
Aug 19 – Dec 9 2017

 

Oeuvre S / M / L by Andreas Albrectsen, 2017. Photo: Kristian Touborg.

 

Artists’ Pillowcase by Hour Projects, 2017. Photo: Kristian Touborg.

 

BlindlyListening by Kristoffer Ørum, 2017 (back). Oeuvre S / M / L by Andreas Albrectsen, 2017 (front). Photo: Kristian Touborg.

 

BlindlyListening by Kristoffer Ørum, 2017. Photo: Camilla Reyman.

 

Untitled (slave Hypnosis) by Peter Birkholm, 2017. Photo: Kristian Touborg.

 

Artists’ Pillowcase by Hour Projects, 2017 (back). BUREAUGRAVITY by Jan Bäcklund, 2017 (front). Photo: Kristian Touborg.

 

(Grand Pause) by Anu Ramdas, 2017. Photo: Camilla Reyman.

 

Ravvandringer by Johanne Skovbo Lasgaard, 2017. Photo: Kristian Touborg.

 

Publications by Hour Projects, 2013-2017. Photo: Kristian Touborg.

 

Timewarp absorption by Marie Koch Kjærgaard, 2017 (front). Ravvandringer by Johanne Skovbo Lasgaard, 2017 (back). Photo: Kristian Touborg.

 

Notes (170801) by Andreas Albrectsen, 2017. Photo: Kristian Touborg.

 

Ravvandringer by Johanne Skovbo Lasgaard, 2017 (on floor). Notes (170801) by Andreas Albrectsen, 2017 (right). Photo: Camilla Reyman.

 

Transit by Eva Koch, 1997. Photo: Camilla Reyman.

 

Ravvandringer by Johanne Skovbo Lasgaard, 2017. Photo: Camilla Reyman.

 

Bartleby the Scrivener: A Story of Wall Street by Herman Melville, 1853, re-published by KLD Repro, 2017. Photo: Camilla Reyman.

 

BUREAUGRAVITY by Jan Bäcklund, 2017. Photo: Camilla Reyman.

 

 

I would prefer not to is an exhibition that changes throughout the exhibition period.

Why do we work so long and so hard? The mystery here is not that we are required to work or that we are expected to devote so much time and energy to its pursuit, but rather that there is not more active resistance to this state of affairs.

Quote by Kathy Weeks, The Problem With Work.

I would prefer not to is an exhibition in which we try to take back time from an economic understanding of the phenomenon. Time has become a scarce commodity. There is never enough of it, it seems. This is why time is precious; why it is something we try to save.

In todays Western societies our method for saving time is efficiency and the attempt of getting the most out of our day. If you have the means you can even buy yourself more time.

The consequences of our understanding of time permeate through all aspects of human life. At the work place, economic discourses of growth and acceleration guides efforts to optimize our work efforts. Our free time is packed with experiences; offers of entertainment, information and activities at our fingertips. Even sleep is no longer just a state of rest but a means to secure continued and increased performance. When are we ever actually off and notcontrolled by time?

Throughout the exhibition period we will ask what can emerge from preferring not to and doing nothing, from boredom and laziness, from the meaningless and non-functional. We promise to slow down, stretch and waste time. We will procrastinate, hesitate and dilly-dally.

The exhibition not only borrows its title from Herman Melville’s short story Bartleby the Scrivener: A Story of Wall Street from 1853 but is also inspired by the passive resistance that is inherent in the statement. I would prefer not to is a sentence uttered by the story’s main character Bartleby in response tohis boss’ repeated requests; a polite refusal to do his job that grows into a rejection of any form of production or even consumption. Bartleby has since become an example for exerting free will and protesting structural and societal demands of self-discipline disregarding ones own needs. By rejecting demands that are so reasonably expected of him to follow, his behaviour escapes the logic of modern society.

We turn to art and artists as our companions in this conversation because art is both praised and criticized for being without use value. Again and again the same debate arises about whether or not the arts are worth taxpayers money. It seems to be a phenomenon that escapes logic and evades conventional measures of value. It is both essential to a society and unnecessary. It can be sold at astronomical prizes and escape economic circulation. Art is paradoxical – a cliché, no doubt – but still a valid observation. It has the potential of being a waste of time, of money or some other form of excess. For this exhibition we have invited a group of artists not because they necessarily escape economic circulation, but because there are elements within their practice, their work process or the art itself escapes and challenges an economic sense of time.

 

Aug 18 / Opening event. Guest reading by Jakob Jakobsen.

Sep 16 / Meditations over art (work) with Eva Koch & Andreas Albrectsen.

Sep 28 – Nov 23 / Morning yoga for the commercialised body with Trine Men Sook Gleerup.

Oct 27 / Revisiting I would prefer not to.

Nov 18 / Meditations over art (work) with Johanne Skovbo Lasgaard & Marie Koch Kjærgaard.

Nov 23 / OHM part 2.0 performance by Trine Men Sook Gleerup.

Dec 9 / Closing event: Meditations over art (work) with Anu Ramdas & Kristoffer Ørum. O(h)n no mr. B performance by Marie Thams.