Middelfart. Rikke. Lille. Lise let på tå.
Her resent work explores the interlocking of the European colonialism and the ideals emerging in 18th century Neoclassicism
Jeg har bedt om at lave et værk som har blankning mikrofon er koblet op til. Google
At kigge på på struktur brude og. Christophers. All of this text in the text.
Jan 5 – June 17 2017
Talk: Together with Miriam Haile she presented the archive on Thursday January 5th 2017 at 5-7 pm for the opening talk
For the exhibition Unravelings Annarosa Krøyer Holm will be showing her work Chromophobia fig. 1
Chromophobia fig. 1 is made directly into the white wall of the exhibition space. Around 3 mm of the existing wall has been removed, in order to build a lime mortar surface, that create a fetishized and marble-like effect
The term chromophobia (angst or fear of colour) refer to the interlocking of the European colonialism and the ideals emerging in 18th century Neoclassicism
The neoclassical white ideal maintained a connection between the beautiful, the good and the true, and offered a spiritual justification of the atrocities of the European colonialism, where it was essential to perceive the white man and his art as sublime and superior
The title Chromophobia fig. 1 indicates that the work can be perceived as a sculpture A white sculpture that points towards it’s own whiteness and speaks to the classical sculpture, which has been whitewashed by the 18th century art historians
Chromophobia fig. 1 is a silent and retracted call for the awareness of the violence attached to the colour white